27 hit songs that were allegedly stolen from other songs

Dia Dipasupil and Pascal Le Segretain/Getty ImagesBoth Miley Cyrus and Ed Sheeran have found themselves at the center of lawsuits.

Nearly every song is inspired by something before it, but a little too much inspiration can end you up in court.

Accusations of plagiarism and copyright infringement lawsuits are nothing new in music, with some major artists fighting a legal battle while others settle out of court.

But not every song that sounds like another goes to court.

Here are 26 examples of songs that sound similar, including some that have faced lawsuits:


Mark Ronson and Bruno Mars’ “Uptown Funk” and The Gap Band’s “Oops Upside Your Head”

Larry Busacca and Frederick M. Brown/Getty ImagesBruno Mars and Mark Ronson (top) and The Gap Band (bottom).

Though influenced by numerous funk songs from the ’70s and ’80s, “Uptown Funk” had to add additional writer credits after The Gap Band filed a copyright claim. The band now earns a 17 per cent share of the publishing royalties.

Listen to “Uptown Funk” and “Oops Upside Your Head.”


The Beach Boys’ “Surfin’ USA” and Chuck Berry’s “Sweet Little Sixteen”

Hulton Archive and Evening Standard/Getty ImagesThe Beach Boys (top) and Chuck Berry (bottom).

Brian Wilson of the Beach Boys was listed as the sole writer of “Surfin’ USA” when it was released in 1963. Chuck Berry was later given writing credit and publishing royalties after pressure from his publisher.

In 2015, Wilson told theLos Angeles Times, “I just took ‘Sweet Little Sixteen’ and rewrote it into something of our own.”

Listen to “Surfin’ USA” and “Sweet Little Sixteen.”


The Doors’ “Hello, I Love You” and The Kinks’ “All Day and All of the Night”

Central Press and Keystone Features/Getty ImagesThe Doors (top) and The Kinks (bottom).

The Doors were ordered by a UK court to pay royalties to The Kinks for using a similar riff from “All Day and All of the Night” in “Hello, I Love You.”

Ray Davies of The Kinks told Rolling Stone that he didn’t want to sue, so they reached a deal.

Listen to “Hello, I Love You” and “All Day and All of the Night.


Nirvana’s “Smells Like Teen Spirit” and Boston’s “More Than a Feeling”

Similar riffs made people point out the closeness of the two songs, even though they were in different keys. Nirvana poked funat the comparisons during a 1992 show in Reading, England, by singing the chorus of “More Than a Feeling” before breaking into “Smells Like Teen Spirit.”

Listen to “Smells Like Teen Spirit” and “More Than a Feeling.”


Bachman-Turner Overdrive’s “You Ain’t Seen Nothing Yet” and The Who’s “Baba O’Reilly”

Chris Jackson and Steve Wood/Getty ImagesBachman-Turner Overdrive (top) and The Who (bottom).

A similar guitar riff in the chorus of “You Ain’t Seen Nothing Yet” caused people to say that Randy Bachman copied The Who, but The Who’s Pete Townshend was unfazed by the likeness.

In 2013, fans also noticed similarities between One Direction’s “Best Song Ever” and “Baba O’Reilly.” The reaction of 1D fans resulted in Townshend releasing a statement that included a reference to Bachman-Turner Overdrive.

“The funniest thing is that in Canada this year I met with Randy Bachman, once the leader of The Guess Who, who told me that he not only copied ‘Baba O’Riley’ for [Bachman-Turner Overdrive’s] hit ‘You Ain’t Seen Nothing Yet,’ but he even called his band after us. Why would I not be happy about this kind of tribute?” he said.

Listen to “You Ain’t Seen Nothing Yet” and “Baba O’Reilly.”


Led Zeppelin’s “Dazed and Confused” and Jake Holmes’ “Dazed and Confused”

Hulton Archive/Getty ImagesLed Zeppelin in 1973.

Led Zeppelin has been involved in numerous copyright infringement cases. Jake Holmes sued Led Zeppelin in 2010 over his own “Dazed and Confused,” a song he had written and recorded two years before Led Zeppelin released their version. Holmes had opened for The Yardbirds in 1967, which featured Zeppelin’s Jimmy Page. The case was settled out of court.

Listen to Led Zeppelin’s “Dazed and Confused” and Jake Holmes’ “Dazed and Confused.”


Led Zeppelin’s “Whole Lotta Love” and Muddy Waters’ “You Need Love”

Evening Standard and Keystone/Getty ImagesLed Zeppelin (top) and Muddy Waters (bottom).

Another lawsuit Led Zeppelin faced was against their 1969 hit “Whole Lotta Love.” Willie Dixon sued the band for copyright infringement of his song “You Need Love,” which was recorded by Muddy Waters. The case was settled out of court and writing credit was given to Dixon.

But even before that, Dixon had sued in 1972 for another song he wrote. Dixon alleged that Led Zeppelin’s “Bring It on Home” took from “Bring It on Home” by Sonny Boy Williamson. It was also settled out of court and Dixon received writing credit.

Listen to “Whole Lotta Love” and “You Need Love.”


Led Zeppelin’s “Stairway to Heaven” and Spirit’s “Taurus”

Hulton Archive/Getty ImagesLed Zeppelin performing.

Led Zeppelin found itself with more litigation when Spirit bassist Mark Andes filed a suit against “Stairway to Heaven.” The case went to trial in 2016, but a jury found that the similarities were not copyright infringement. The verdict was appealed in March 2017.

Listen to “Stairway to Heaven” and “Taurus.”


John Fogerty’s “The Old Man Down the Road” and Creedence Clearwater Revival’s “Run Through the Jungle”

Adam Bettcher and Evening Standard/Getty ImagesJohn Fogerty (top) and Creedence Clearwater Revival featuring John Fogerty on the left (bottom).

In a bizarre case, John Fogerty, the lead singer of Creedence Clearwater Revival, was accused of plagiarizing himself. After the band disbanded, Fogerty pursued a solo career and released “The Old Man Down the Road.”

Fantasy Records, which owned the publishing rights to the band’s songs, tried to sue Fogerty for copyright infringement alleging that “Old Man” had the same chorus as “Run Through the Jungle.” A jury ruled that Fogerty did not infringe upon himself.

Listen to “The Old Man Down the Road” and “Run Through the Jungle.”


Radiohead’s “Creep” and The Hollies’ “The Air That I Breathe”

Mark Mainz and Larry Ellis/Express/Getty ImagesRadiohead (top) and The Hollies (bottom).

Songwriters Albert Hammond and Mike Hazelwood successfully sued Radiohead for infringement.They are both listed as co-writers and split royalties with the band.

Listen to “Creep” and “The Air That I Breathe.”


The Verve’s “Bitter Sweet Symphony” and The Rolling Stones’ “The Last Time”

Samir Hussein and Keystone Features/Getty ImagesRichard Ashcroft of The Verve and The Rolling Stones.

For their hit “Bitter Sweet Symphony,” The Verve sampled a symphonic recording of The Stones’ “The Last Time.” According to The Stones’ manager Allen Klein, they had only originally agreed to licence a five-note portion but exceeded the usage, thus voiding their agreement. Settling out of court, song credit went to Mick Jagger and Keith Richards of The Rolling Stones and The Verve lost all royalties.

Listen to “Bitter Sweet Symphony” and “The Last Time.”


Lana Del Rey’s “Get Free” and Radiohead’s “Creep”

Alexandre Schneider and Jim Dyson/Getty ImagesLana Del Rey and Thom Yorke of Radiohead.

Lana del Rey took to Twitter to claim that Radiohead was suing her and that the lawyers were “relentless.”

https://twitter.com/LanaDelRey/status/950065789549166592?ref_src=twsrc^tfw

According to NME, Radiohead’s publishers denied any lawsuit and just said that the group wanted writing credit.

“To set the record straight, no lawsuit has been issued and Radiohead have not said they ‘will only accept 100%’ of the publishing of ‘Get Free,'” a statement read.

During a performance at Lollapalooza Brazil in March, the singer said the lawsuit was over.

Listen to “Get Free” and “Creep.”


Ed Sheeran’s “Photograph” and Matt Cardle’s “Amazing”

Pascal Le Segretain and Jeff Spicer/Getty ImagesEd Sheeran and Matt Cardle.

Songwriters Martin Harrington and Thomas Leonard accused Sheeran of copying the song “Amazing,” which was sung by Matt Cardle. Their $US20 million copyright lawsuit alleged that Sheeran was guilty of “verbatim, note-for-note copying.” The case was privately settled.

Listen to “Photograph” and “Amazing.”


Faith Hill and Tim McGraw’s “The Rest of Our Life” and Jasmine Rae’s “When I Found You”

John Phillips, Rick Diamond, and Graham Denholm/Getty ImagesEd Sheeran, Faith Hill and Tim McGraw, and Jasmine Rae.

Sean Carey and Beau Golden, who wrote Rae’s song, filed a copyright infringement lawsuit against Hill and McGraw. Sheeran, who helped write the song, was also named. According to TMZ, Sheeran called the accusations “baseless.”

Listen to “The Rest of Our Life” and “When I Found You.”


Miley Cyrus’ “We Can’t Stop” and Flourgon’s “We Run Things”

Dia Dipasupil/Getty ImagesMiley Cyrus in 2018.

Cyrus was slapped with a $US300 million copyright infringement lawsuit in March 2018 over her 2013 song “We Can’t Stop.” Jamaican songwriter Michael May, whose stage name is Flourgon,claims her song took “about 50 per cent” from his song. He also wants to stop future sales and performances of the song.

Listen to “We Can’t Stop” and “We Run Things.”


Sam Smith’s “Stay With Me” and Tom Petty’s “I Won’t Back Down”

John Phillips and Kevork Djansezian/Getty ImagesSam Smith and Tom Petty.

Tom Petty’s publishers contacted Smith after hearing similarities between the two songs, particularly during the chorus. They reached an out-of-court agreement to list Petty and Jeff Lynne as co-writers on the song.

Petty released a statement, saying, “All my years of songwriting have shown me these things can happen… Sam’s people were very understanding of our predicament and we easily came to an agreement.”

Listen to “Stay With Me” and “I Won’t Back Down.”


Jon Bon Jovi’s “You Give Love a Bad Name” and Bonnie Tyler’s “If You Were a Woman (And I Was a Man)”

Ethan Miller and Andreas Rentz/Getty ImagesBon Jovi and Bonnie Tyler.

Desmond Child, who wrote Bonnie Tyler’s song, wasn’t pleased with how it performed on the charts and wanted to prove that the song could be a hit. After teaming up with Jon Bon Jovi and Richie Sambora, the three reworked Tyler’s song into Bon Jovi’s first No. 1 hit.

Listen to “You Give Love a Bad Name” and “If You Were a Woman (And I Was a Man).”


Robin Thicke’s “Blurred Lines” and Marvin Gaye’s “Got to Give It Up”

Rich Fury/Getty Images and John Minihan/Evening Standard/Getty ImagesRobin Thicke and Marvin Gaye.

A jury found Pharrell Williams and Robin Thicke liable for copyright infringement, and they had to pay the Gaye family $US7.4 million in damages. Williams and Thicke appealed the case in 2016, but the court sided with the Gaye family once again in 2018. The appeal confirmed that Gaye’s estate is entitled to 50% of all royalties from the song forever.

Listen to “Blurred Lines” and “Got to Give It Up.”


Kendrick Lamar’s “I Do This” and Bill Withers’ “Don’t You Want to Stay”

Kevin Winter and Matt Winkelmeyer/Getty ImagesKendrick Lamar and BIll Withers.

In April 2016, Lamar was sued for using a “direct and complete” copy of Bill Withers’ 1975 song as a sample. The case was filed in the same court that determined the outcome of the “Blurred Lines” trial.

“The musical composition ‘I Do This’ consists of nothing more than new, so-called Rap or Hip Hop lyrics, set to the existing music of ‘Don’t Want You to Stay,'” read the suit filed by Mattie Music Group.

Listen to “I Do This” and “Don’t You Want to Stay.”


Coldplay’s “Viva La Vida” and Joe Satriani’s “If I Could Fly”

Kevin Winter and Theo Wargo/Getty ImagesChris Martin from Coldplay and Joe Satriani.

Guitarist Joe Satriani filed a lawsuit against Coldplay for copying “substantial original portions” of his 2004 song in 2008. But less than a year later, the case was ultimately dismissed and reportedly settled.

Listen to “Viva La Vida” and “If I Could Fly.”


George Harrison’s “My Sweet Lord” and The Chiffons’ “He’s So Fine”

Evening Standard/Getty Images and Wiki CommonsGeorge Harrison and The Chiffons.

In one of the most notorious copyright infringement cases, George Harrison’s first solo single resulted in a guilty verdict for “subconscious plagiarism.” The judge wrote that he didn’t believe Harrison deliberately copied the music, but because he had access to it, he was guilty.

Listen to “My Sweet Lord” and “He’s So Fine.”


Vanilla Ice’s “Ice Ice Baby” and Queen and David Bowie’s “Under Pressure”

Getty Images, Evening Standard/Getty Images, and Hulton Archive/Getty ImagesVanilla Ice and David Bowie and Freddie Mercury from Queen.

Vanilla Ice famously took the bass line from “Under Pressure,” a collaboration between Queen and David Bowie. When threatened with a suit, Vanilla Ice settled out of court. Bowie and Queen all got songwriting credits.

Listen to “Ice Ice Baby” and “Under Pressure.”


Rod Stewart’s “Do Ya Think I’m Sexy” and Jorge Ben Jor’s “Taj Mahal”

David Becker and Fernanda Calfat/Getty ImagesRod Stewart and Jorge Ben Jor.

Brazilian musician Jorge Ben Jor filed a copyright infringement lawsuit against Rod Stewart. Ben Jor has said the lawsuit was settled out of court and in his favour. Stewart later admitted to “unconscious plagiarism” of the song in his 2012 autobiography.

Listen to “Do Ya Think I’m Sexy” and “Taj Mahal.”


Ray Parker Jr.’s “Ghostbusters” theme and Huey Lewis and the News’ “I Want a New Drug”

Mike Coppola and Peter Kramer/Getty ImagesRay Parker Jr. and Huey Lewis.

Huey Lewis sued Ray Parker Jr. for copyright infringement after the “Ghostbusters” theme was released. They reached an agreement in 1995. But in 2001, Parker sued Lewis for breaking a confidentiality agreement. They weren’t supposed to reveal information about the case after filing a joint press release in 1995, but Lewis commented on the case during an interview on VH1’s “Behind the Music.”

Listen to the “Ghostbusters” theme and “I Want a New Drug


Bill Haley & His Comets’ “Rock Around the Clock” and Hank Williams’ “Move It on Over”

Topical Press Agency/Getty Images and Publicity photo from WSMBill Haley and Hank Williams.

Made famous by Bill Haley, “Rock Around the Clock” is considered to be one of the songs that made rock and roll popular in the 1950s, but some think it bears a striking resemblance to Hank Williams’ “Move It on Over” from the 1940s. But even Williams’ song borrowed from Charley Patton’s 1929 recording of “Going to Move to Alabama.”

Listen to “Rock Around the Clock” and “Move It on Over.”


2 Live Crew’s “Pretty Woman” and Roy Orbison’s “Oh, Pretty Woman”

Frazer Harrison and Moore/Fox Photos/Getty Images2 Live Crew and Roy Orbison.

2 Live Crew released a parody of Orbison’s song and were sued for it. The case made it to the Supreme Court where it ruled in 2 Live Crew’s favour as “fair use.”

Listen to “Pretty Woman” and “Oh, Pretty Woman.”


Ed Sheeran’s “Thinking Out Loud” and Marvin Gaye’s “Let’s Get It On”

Phil Walter and John Minihan/Evening Standard/Getty ImagesEd Sheeran and Marvin Gaye.

TMZ reported in June 2018 that Ed Sheeran is facing a $US100 million lawsuit alleging he copied Gaye’s “Let’s Get It Out.” It was filed byStructured Asset Sales, a company that owns one-third of the copyright to “Let’s Get It On.” Sheeran was sued back in 2016 over the same song by co-writer Ed Townsend.

On Thursday, January 3, US District Judge Louis Stanton said there were “substantial similarities” between Sheeran’s and Gaye’s song and determined that the case should go to a jury. A New York jury will later decide the case.

Listen to “Thinking Out Loud” and “Let’s Get It On.”

NOW WATCH: Briefing videos

Business Insider Emails & Alerts

Site highlights each day to your inbox.

Follow Business Insider Australia on Facebook, Twitter, LinkedIn, and Instagram.