There has recently been a shift in tone by major cable companies when they talk about their relationship with Netflix. Cable executives seem to have woken up to the fact that their licensing deals with Netflix bolster the catalogue of a company that could do serious damage to their business.
James Murdoch, who heads 21st Century Fox, said politely that his thinking on the subject was “evolving” — and not in Netflix’s favour.
But Netflix might just be too big of a powerhouse in the market for cable companies to spite, according to an analyst note from Morgan Stanley on Monday.
The analysts write that the Hollywood “talent” involved in hit shows — like actors or writers — expect their studio partners to maximise the earnings on each show. They don’t care about Netflix hurting other parts of the studio’s business. That’s not their problem. They want as much money as possible, and Netflix is throwing it around.
Morgan Stanley claims that Netflix has been “broadly positive” for the ecosystem as a whole, especially compared to YouTube and Facebook, two emerging platforms whose ability to deliver value to studios is much less certain. This means it’s hard for a cable company to sell a move to cut off Netflix as beneficial to anyone but itself.
Morgan Stanley sees this truth reflected in Netflix’s continued ability to acquire high-performing content like ABC’s “How to Get Away with Murder” CBS’s “Jane the Virgin.” And the analysts don’t see the loss of “Mr. Robot” to Amazon Prime’s video service as part of a trend toward smaller streaming players like Amazon or Hulu.
Netflix is the standard.
Beyond that, Netflix is already starting to extricate itself from a reliance on acquired content from “vertically integrated” studios that have stakes in the future of cable television. Morgan Stanley estimates that these studios represent about 30% of Netflix’s content spending, and only 15% if you take out big deals with Disney and CBS.
In short, the analysts aren’t worried about Netflix’s ability to access content. For one, Netflix is too powerful for the studios to snub, and licensed content from studios is getting less and less important to Netflix.