- The internet is aflame about whether a robotic-sounding recording says “yanny” or “laurel.”
- Speech scientists say there’s a simple reason for the audio trickery that has to do with the way our brains learn to quickly decipher vowels and words.
- The recording seems to be a slightly altered version of Vocabulary.com ‘s pronunciation key for the word “laurel.” (Sorry, Team Yanny.)
“Yanny” or “laurel”?
The internet exploded in arguments this week as people debated which word was said in this recording, posted by a YouTube vlogger named Cloe Feldman:
What do you hear?! Yanny or Laurel pic.twitter.com/jvHhCbMc8I
— Cloe Feldman (@CloeCouture) May 15, 2018
Hardik Kothare, who works in the speech neuroscience lab at the University of California, San Francisco, was quick to weigh in with his assessment of the sound. To his ear, this was definitely a recording of the word “laurel.”
If you’re still on Team Yanny, listen to the original recording from Vocabulary.com, where it’s the pronunciation key for “laurel.” (Apologies, “yanny” fans.)
The sound was recorded by a professional opera singer who was one of the original cast members in the Broadway musical “Cats,”according to Wired. The dictionary site hasn’t revealed the man’s identity but said he was one of several trained singers enlisted to record hundreds of thousands of pronunciations based on the rules of the International Phonetic Alphabet.
Kothare suggested that the recording was most likely “cleverly synthesized” to trick our brain’s powers of speech detection. He says there’s a simple, logical reason that some folks who listen to the viral recording hear “yanny” while others pick up “laurel.”
The importance of frequency
“The human brain is trained to perceive and interpret speech on the fly in a remarkable way,” Kothare tweeted on Tuesday.
While we’re young, our ears learn to pick up clues about the vowels people say by focusing on frequencies at which certain sounds tend to resonate. The frequencies for each sound are a little different from person to person and language to language.
“Speech perception and production depends heavily on an internal map of speech sounds,” Kothare said. “You learn this map while learning to speak as a toddler and also while hearing others speak on a day-to-day basis.”
If you mess with the frequencies in a recording, you can change what people hear – it’s similar to the way that our eyes can be tricked by an optical illusion.
Notice the white patch or jump after the /æ/ vowel? That may be perceived as the lack of a vowel sound or a consonant interspersed between the vowels. Hence the /n/ in Yanny. (14/n) pic.twitter.com/knbSRxYzLG
— Hardik Kothare (@hardikkothare) May 16, 2018
The New York Times tried this on Wednesday and created an audio-switching tool for the recording.
It turns out that our brains can shift pretty easily between hearing “yanny” and “laurel” based just on how low or high the frequency of the recording is. Add to this all the cultural and linguistic ways we’ve been trained to hear certain vowels, and you have a perfect recipe for a little audio illusion.
‘You have categories of sounds in your head’
John Houde, who runs the speech neuroscience lab at UCSF where Kothare works, said that the either-or prompt of the recording is a classic example of what’s known as a forced-choice experiment – your brain is bound to pick out one word or the other.
“Expectations can really bias your perception of speech sounds,” Houde told Business Insider. “The sound seems to have a mix of some cues for the sounds making up ‘laurel’ and also some cues for the sounds making up ‘yanny.'”
Houde added that making quick-fire, perceptual decisions about the words and sounds we hear all day is how we get through life.
“You have categories of sounds in your head,” he said. “Kind of like how words are made up of letters, spoken words are made up of phoneme categories. Your brain is trained to listen to the signal and say, ‘What phoneme sequence did I hear?'”
Whichever word you hear in the recording, the speech scientists both say you shouldn’t worry.
“It’s totally OK to hear what you are hearing,” Kothare said.
“Your way of perceiving speech is almost by definition right, because it’s served you well for all these years, understanding other people’s speech,” he said. “There is no right and wrong in speech perception – there’s just how you perceive it and how I perceive it.”
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