The 100 best drama movies of all time, according to critics

‘Taxi Driver’/Columbia Pictures Corporation‘Taxi Driver’ (1976).
  • We ranked the 100 best dramas of all time based on Rotten Tomatoes’ adjusted score.
  • The adjusted score is based on a weighted formula that gives newer movies an advantage.
  • The list includes classics like “Citizen Kane,” recent Oscar winners like “Moonlight,” and blockbusters like “Black Panther.”
  • Visit Business Insider’s homepage for more stories.

As a cinematic genre, “drama” has taken many forms over the decades.

The list we compiled here is based on review aggregator Rotten Tomatoes and includes the site’s most critically acclaimed films featuring a “drama” tag. It’s an unexpected mix of action movies, classic films, and modern Oscar contenders.

The list ranks movies by an adjusted critical score that Rotten Tomatoes derived from a weighted formula to account for the variation in number of reviews for each film. Therefore, the list favours more recent critically acclaimed films that have more reviews.

It still includes classic dramas like “Citizen Kane” and “Taxi Driver” but favours recent titles like the best-picture winners “Spotlight” and “Moonlight.”

It also includes “Gone with the Wind,” which was pulled from WarnerMedia’s new streaming competitor HBO Max last week amid nationwide protests against racism, but will return with a discussion about its historical context and depiction of racial stereotypes.

There are also plenty of blockbusters that have been heavily reviewed, like Marvel’s “Avengers: Endgame” and “Black Panther.”

John Lynch contributed to a previous version of this post.

Here are the 100 best drama films of all time, according to critic scores on Rotten Tomatoes:


100.”Scarface” (1932)

Universal

Critic score: 98%

Audience score: 86%

What critics said: “Scarface is one of best of the early gangster movies; its wit and building velocity speeds it past Little Caesar and keeps pace with Public Enemy.” –Los Angeles Times


99. “Paterson” (2016)

Paterson

Critic score: 96%

Audience score: 71%

What critics said: “A filmmaker telling his story in pictures and the limitlessness of control he brings to his art. What more can one ask of cinema?” – San Diego Reader


98. “Gone with the Wind” (1939)

MGM

Critic score: 91%

Audience score: 93%

What critics said: “‘Gone With the Wind’ offers the kind of big, rich, opulent experience the movies are in a unique position to offer but seldom do.” – Chicago Tribune


97. “Phantom Thread” (2018)

Focus Features/YouTube

Critic score: 91%

Audience score: 70%

What critics said: “If Anderson’s The Master was a swirling miasma, Phantom Thread is an unforgiving dress. It presents an ideal and even inspires wonder, but it does make breathing difficult, and heaven help you if all you want is to have a good time.” – San Diego Reader


96. “It’s a Wonderful Life” (1946)

screengrab/’It’s A Wonderful Life’

Critic score: 94%

Audience score: 95%

What critics said: “The most well-loved of all Christmas movies.” – Chicago Tribune


95. “The Last Picture Show” (1971)

Columbia Pictures

Critic score: 100%

Audience score: 90%

What critics said: “Director Peter Bogdanovich has seen Anarene, Texas, in the cinematic terms of 1951 — the langorous dissolves, the strong chiaroscuro, the dialogue that starts with bickering and ends at confessional.” – Time


94. “Taxi Driver” (1976)

AP Photo

Critic score: 96%

Audience score: 93%

What critics said: “Like Werner Herzog’s ‘Aguirre’ or Coppola’s ‘Apocalypse Now,’ ‘Taxi Driver’ is auteurist psychodrama.” – Village Voice


93. “L.A. Confidential” (1997)

Warner Bros.

Critic score: 99%

Audience score: 94%

What critics said: “A movie bull’s-eye: noir with an attitude, a thriller packing punches. It gives up its evil secrets with a smile.” – Chicago Tribune


92. “Roman Holiday” (1953)

Paramount Pictures/’Roman Holiday’

Critic score: 98%

Audience score: 94%

What critics said: “For lovers of romantic comedies through the ages, ‘Roman Holiday’ remains a favourite.” –ReelViews


91. “Stagecoach” (1939)

Warner

Critic score: 100%

Audience score: 86%

What critics said: “Directorially, production is John Ford in peak form, sustaining interest and suspense throughout, and presenting exceptional characterizations. Picture is a display of photographic grandeur.” – Variety


90. “Vertigo” (1958)

Universal

Critic score: 94%

Audience score: 93%

What critics said: “It’s as much a wonder of suspense as it is a catalogue of the director’s themes and an allegory for his own art of enticement-and for the erotic pitfalls of his métier.” – The New Yorker


89. “The Hate U Give” (2018)

20th Century Fox

Critic score: 97%

Audience score: 82%

What critics said: “The Hate U Give has a fierce storytelling grip.” – Guardian


88. “Open City” (1946)

Criterion Collection

Critic score: 100%

Audience score: 92%

What critics said: “A world cinema landmark, but that dusty, respectful word does not do justice to a film that has not lost its power to surprise and even shock.” – Los Angeles Times


87. “The Godfather, Part II” (1974)

Paramount

Critic score: 97%

Audience score: 97%

What critics said: “An admirable, responsible production, less emotionally disturbing than its predecessor, but a grand historical epic studying the nature of power in the United States’ heritage.” – The Hollywood Reporter


86. “All Quiet on the Western Front” (1930)

Universal Pictures

Critic score: 98%

Audience score: 89%

What critics said: “From such grisly materials the popular cinema is rarely drawn. The film is monumental in the courage that risked its manufacture.” – Time


85. “The Grapes of Wrath” (1940)

20th Century Fox

Critic score: 100%

Audience score: 88%

What critics said: “‘The Grapes of Wrath’ is just about as good as any picture has a right to be; if it were any better, we just wouldn’t believe our eyes.” – The New York Times


84. “The Wages of Fear” (1953)

Janus Films

Critic score: 100%

Audience score: 95%

What critics said: “The film’s extended suspense sequences deserve a place among the great stretches of cinema.” –Chicago Sun-Times


83. “The Hurt Locker” (2009)

VISO Trailers / YouTube

Critic score: 97%

Audience score: 84%

What critics said: “Like every war before it, the U.S. invasion of Iraq has generated its share of movies. But ‘The Hurt Locker’ is the first of them that can properly be called a masterpiece.” – Miami Herald


82. “Battleship Potemkin” (1925)

Kino

Critic score: 100%

Audience score: 86%

What critics said: “Because Battleship Potemkin is an appeal to fellow-feeling and collective action, it is only right that the restoration work creates a more immersive film, one that places no barriers between a 21st-century audience and its monumentally powerful imagery.” – Guardian


81. “Hidden Figures” (2017)

Universal

Critic score: 93%

Audience score: 93%

What critics said: “An assertion of humanity and civil rights that is pure cinematic nourishment for soul.” –Tribune News Service


80. “The Death of Stalin” (2018)

IFC Films

Critic score: 96%

Audience score: 77%

What critics said: “The Death of Stalin is actually a lot like Veep, except with gulags and executions.” –Dallas Morning News


79. “Apocalypse Now” (1979)

Omni Zoetrope/United Artists

Critic score: 98%

Audience score: 94%

What critics said: “It has coherence, truthfulness, and conviction-up to a point.” – New Yorker


78. “Dolemite Is My Name” (2019)

Associated Press

Critic score: 97%

Audience score: 91%

What critics said: “Murphy brings the spirit of Blaxploitation underdog Rudy Ray Moore to life, with tell-it-like-it-is radiance. His timing is, as always, cobra-strike precise.” – Time


77. “The Big Sleep” (1946)

Warner Bros.

Critic score: 97%

Audience score: 91%

What critics said: “Arguably the high-water mark of Hollywood’s love affair with the infinitely slippery possibilities of the English language.” – Time Out


76. “Harry Potter and the Deathly Hallows — Part 2” (2011)

Warner Bros.

Critic score: 96%

Audience score: 89%

What critics said: “When the movie was over, a young boy sitting behind me said, “That was great!” He was satisfied, and rightly so.” – The New Yorker


75. “Tokyo Story (Tôkyô monogatari)” (1953)

BFI Production

Critic score: 100%

Audience score: 93%

What critics said: “The way Ozu builds up emotional empathy for a sense of disappointment in its various characters is where his mastery lies.” – Time Out


74. “His Girl Friday” (1940)

Columbia Pictures

Critic score: 98%

Audience score: 90%

What critics said: “Roughest spots in the original versions have been sandpapered or excised, the pressroom’s whiskey cynicism toned down to half of one per cent, but the comedy still has enough Hecht-MacArthur kick to make later interpolations smell synthetic.” – Time Magazine


73. “The Wrestler” (2008)

Fox Searchlight

Critic score: 98%

Audience score: 88%

What critics said: “This sad, strong beast of a film keeps us pinned to the mat with the strength of its compassion and the overpowering force of its central performance.” – Houston Chronicle


72. “Creed” (2015)

Warner Bros.

Critic score: 95%

Audience score: 89%

What critics said: “It’s an invigorating piece of nostalgia that fuels a bigger adrenaline rush with its climax than any big-budget blockbuster could provide.” – The Atlantic


71. “Double Indemnity” (1944)

Paramount

Critic score: 97%

Audience score: 95%

What critics said: “This shrewd, smoothly tawdry thriller, directed by Billy Wilder, is one of the high points of nineteen-forties films.” – The New Yorker


70. “The Treasure of the Sierra Madre” (1948)

Warner Bros.

Critic score: 100%

Audience score: 93%

What critics said: “Greed, a despicable passion out of which other base ferments may spawn, is seldom treated in the movies with the frank and ironic contempt that is vividly manifested toward it in ‘Treasure of Sierra Madre.'” – The New York Times


69. “Rashômon” (1951)

RKO

Critic score: 98%

Audience score: 93%

What critics said: “What Akira Kurosawa and his tiny production team wrought is now an accepted maxim of modern life, a creed by which to live in a world where everyone has a blog and an opinion.” – Boston Globe


68. “Army of Shadows (L’Armée des ombres)” (1969)

Rialto Pictures

Critic score: 97%

Audience score: 94%

What critics said: “From the first sight of German soldiers goose-stepping past the Arc de Triomphe to a postscript that spells out the fate of characters whose moral confusion is all too real, ‘Army of Shadows’ is a movie of its time – and ours.” – Rolling Stone


67. “On the Waterfront” (1954)

Columbia Pictures via YouTube

Critic score: 99%

Audience score: 95%

What critics said: “It’s hard to deny that Marlon Brando’s performance as a dock worker and ex-fighter who finally decides to rat on his gangster brother (Rod Steiger) is pretty terrific.” – Chicago Reader


66. “Kind Hearts and Coronets” (1949)

Ealing Studios

Critic score: 100%

Audience score: 94%

What critics said: “Robert Hamer’s 1949 film is often cited as the definitive black, eccentric British comedy, yet it’s several cuts better than practically anything else in the genre.” – Chicago Reader


65. “The 400 Blows (Les Quatre cents coups)” (1959)

Zenith International Films

Critic score: 100%

Audience score: 94%

What critics said: “One of the first glistening droplets of the French New Wave.” – Time Out


64. “The Dark Knight” (2008)

Warner Bros.

Critic score: 94%

Audience score: 94%

What critics said: “An exceptionally smart, brooding picture with some terrific performances.” – CNN


63. “The Babadook” (2014)

IFC Films

Critic score: 98%

Audience score: 72%

What critics said: “A deftly inventive and psychologically charged horror story that trades on the ways in which the prospect of maternal failure can be just as fearsome a boogeyman as any monster under the bed.” – Buzzfeed


62. “Brooklyn” (2015)

Fox Searchlight

Critic score: 97%

Audience score: 87%

What critics said: “Although not without moments of sadness and tragedy, ‘Brooklyn’ is sublimely uplifting and life affirming.” – ReelViews


61. “Three Billboards Outside Ebbing, Missouri” (2017)

Fox Searchlight

Critic score: 90%

Audience score: 86%

What critics said: “Watching it is like having your funny bone struck repeatedly, expertly and very much too hard by a karate super-black-belt capable of bringing a rhino to its knees with a single punch behind the ear.” – Guardian


60. “12 Angry Men (Twelve Angry Men)” (1957)

http://www.imdb.com/title/tt0050083/

Critic score: 100%

Audience score: 97%

What critics said: “This is a film where tension comes from personality conflict, dialogue and body language, not action.” – Chicago Sun-Times


59. “Jaws” (1975)

Universal Pictures

Critic score: 98%

Audience score: 90%

What critics said: “A grisly film, often ugly as sin, which achieves precisely what it set out to accomplish-scare the hell out of you.” – Newsweek


58. “Rear Window” (1954)

Paramount

Critic score: 100%

Audience score: 95%

What critics said: “It’s one of Alfred Hitchcock’s inspired audience-participation films: watching it, you feel titillated, horrified, and, ultimately, purged.” –The New Yorker


57. “Lawrence of Arabia” (1962)

Columbia Pictures

Critic score: 98%

Audience score: 93%

What critics said: “Remains one of the most intelligent, handsome, and influential of all war epics.” –Chicago Reader


56. “Chinatown” (1974)

Paramount

Critic score: 99%

Audience score: 93%

What critics said: “Roman Polanski’s American made film, first since ‘Rosemary’s Baby’ shows him again in total command of talent and physical filmmaking elements.” – Variety


55. “A Streetcar Named Desire” (1951)

Warner Bros.

Critic score: 98%

Audience score: 90%

What critics said: “Brando’s performance as Stanley is one of those rare screen legends that are all they’re cracked up to be.” – The Washington Post


54. “Touch of Evil” (1955)

October Films

Critic score: 96%

Audience score: 92%

What critics said: “It was Orson Welles’s last Hollywood film, and in it he makes transcendent use of the American technology his genius throve on; never again would his resources be so rich or his imagination so fiendishly baroque.” –Chicago Reader


53. “Hell or High Water” (2016)

CBS Films

Critic score: 97%

Audience score: 88%

What critics said: “A film with the sort of sweeping grandeur that today’s filmmakers rarely aspire to, let alone fulfil.” – Wall Street Journal


52. “Sunset Boulevard” (1950)

Paramount Pictures

Critic score: 98%

Audience score: 95%

What critics said: “One of Wilder’s finest, and certainly the blackest of all Hollywood’s scab-scratching accounts of itself.” – Time Out


51. “Bicycle Thieves (Ladri di biciclette)” (1949)

Criterion Collection

Critic score: 98%

Audience score: 94%

What critics said: “So well-entrenched as an official masterpiece that it is a little startling to visit it again after many years and realise that it is still alive and has strength and freshness.” – Chicago Sun-Times


50. “Shoplifters” (2018)

Magnolia Pictures

Critic score: 99%

Audience score: 91%

What critics said: “Writer-director Hirokazu Kore-eda fills the film with grace notes, humour and fine observations, circling and filling out each character while leaning more on innocence than corruption.” – Detroit News


49. “The Night of the Hunter” (1955)

United Artists

Critic score: 99%

Audience score: 90%

What critics said: “A garish, unbelievable but fairly exciting nightmare.” – Time


48. “Seven Samurai (Shichinin no Samurai)” (1956)

Criterion

Critic score: 100%

Audience score: 97%

What critics said: “The greatest movie ever made about warriors and battle.” – Chicago Reader


47. “M” (1931)

Criterion

Critic score: 100%

Audience score: 95%

What critics said: “Lang’s movie is that rare thing, a nail-biting soul-searcher. While ‘M’ steers clear of analysing deviance, it is startling in its musings on which punishment fits an inhuman crime.” – Philadelphia Inquirer


46. “Metropolis” (1927)

Metropolis

Critic score: 97%

Audience score: 92%

What critics said: “A fully realised work of art whose influence on science fiction, set design and symbolism can scarcely be put into words.” – St. Louis Post-Dispatch


45. “Rebecca” (1940)

United Artists

Critic score: 100%

Audience score: 92%

What critics said: “It is the finest job of direction accomplished by a master director and may justly be called Alfred Hitchcock’s masterpiece.” – New York Daily News


44. “Spider-Man: Homecoming” (2017)

Sony

Critic score: 92%

Audience score: 88%

What critics said: “Marvel has finally started to figure out what the future of superhero movies might look like.” – IndieWire


43. “Widows” (2018)

Fox

Critic score: 91%

Audience score: 61%

What critics said: “It offers everything adults used to love about cinema.” – Observer


42. “The Florida Project” (2017)

A24

Critic score: 96%

Audience score: 79%

What critics said: “The Florida Project is a song of innocence and of experience: mainly the former.” –Guardian


41. “War for the Planet of the Apes” (2017)

Fox

Critic score: 94%

Audience score: 84%

What critics said: “The best summer blockbuster in years, a smart, thoughtful, confrontational and challenging allegory for a world run amok.” – Detroit News


40. “La La Land” (2016)

Lionsgate

Critic score: 91%

Audience score: 81%

What critics said: “I’m hoping that ‘La La Land’ will be a hit for the ages, for all ages. It’s a film that re-enacts, with rare originality, a classic role for the movie medium — escapist entertainment in troubled times.” – The Wall Street Journal


39. “The Maltese Falcon” (1941)

Warner Bros.

Critic score: 100%

Audience score: 91%

What critics said: “Frighteningly good evidence that the British (Alfred Hitchcock, Carol Reed, et al.) have no monopoly on the technique of making mystery films.” – Time


38. “Baby Driver” (2017)

Sony

Critic score: 93%

Audience score: 86%

What critics said: “Put in your metaphorical earbuds, turn the key in the ignition, and enjoy the cinematic highlight of the summer so far.” – The Atlantic


37. “12 Years a Slave” (2013)

Fox Searchlight

Critic score: 95%

Audience score: 90%

What critics said: “Every scene of ’12 Years a Slave,’ and almost every shot, conveys some penetrating truth about America’s original sin.” – Dallas Morning News


36. “The Battle of Algiers (La Battaglia di Algeri)” (1967)

Rialto Pictures

Critic score: 99%

Audience score: 95%

What critics said: “It uses realism as an effect, documentary as a style. You feel that you’re really there, and you can’t help but be moved.” – Village Voice


35. “Argo” (2012)

Warner Brothers

Critic score: 96%

Audience score: 90%

What critics said: “Let’s just say that the movie’s final section is so nail-bitingly tense, thanks to a skillful combination of acting, writing and crosscutting, that it puts Affleck in the big leagues as a director.” – The Wrap


34. “Manchester by the Sea” (2016)

Amazon Studios

Critic score: 96%

Audience score: 77%

What critics said: “The sadness of ‘Manchester by the Sea’ is the kind of sadness that makes you feel more alive, rather than less, to the preciousness of things.” –Boston Globe


33. “Once Upon a Time… in Hollywood” (2019)

Sony

Critic score: 85%

Audience score: 70%

What critics said: “It is Tarantino’s best, bravest and most confrontationally impudent movie since Pulp Fiction.” – Financial Times


32. “Leave No Trace” (2018)

Bleecker Street

Critic score: 100%

Audience score: 81%

What critics said: “It covers difficult ground, but to say it leaves no trace would be a lie. It definitely makes its mark.” – Detroit News


31. “Boyhood” (2014)

‘Boyhood’/Universal

Critic score: 97%

Audience score: 80%

What critics said: “The closest thing to a lived life that fictional cinema has yet produced.” – St. Louis Post-Dispatch


30. “Alien” (1979)

20th Century Fox

Critic score: 98%

Audience score: 94%

What critics said: “A screamingly spooky sci-fi tale with more than a few echoes of ‘The Thing’ but echoes which enhance rather than detract.” – New York Daily News


29. “Gravity” (2013)

Warner Bros

Critic score: 96%

Audience score: 80%

What critics said: “Unfolding as a series of terrifying object lessons in Newtonian physics, the movie lends new meaning to the phrase ‘spatial geometry.'” – The Atlantic


28. “The Favourite” (2018)

Fox Searchlight

Critic score: 93%

Audience score: 68%

What critics said: “Weisz and Stone are both brilliantly witty and nimble, but Colman’s performance is nothing short of sublime.” – New York Times


27. “Shadow of a Doubt” (1943)

Universal

Critic score: 100%

Audience score: 89%

What critics said: “Shadow of a Doubt may or may not be Hitchcock’s greatest film, but it’s his most intimate and heart-wrenching.” – New Yorker


26. “Star Wars: The Last Jedi” (2017)

LucasFilms

Critic score: 90%

Audience score: 43%

What critics said: “Rian Johnson’s middle chapter in the current Star Wars trilogy is the epic you’ve been looking for. Capped by Mark Hamill in the performance of his career, it points the way ahead to a next generation of skywalkers – and, thrillingly, to a new hope.” – Rolling Stone


25. “Call Me By Your Name” (2017)

Sony Pictures Classics

Critic score: 95%

Audience score: 86%

What critics said: “You may not realise how strong the acting is until you replay the movie in your head later.” – Boston Globe


24. “Logan” (2017)

‘Logan’

Critic score: 93%

Audience score: 90%

What critics said: “The only problem with calling it the boldest and most affecting superhero flick in many years is that it’s barely a superhero movie at all.” – NPR


23. “All About Eve” (1950)

20th Century Fox

Critic score: 99%

Audience score: 94%

What critics said: “Joseph Mankiewicz was Hollywood’s midcentury master of comic drama, and All About Eve, from 1950, was one of his signal achievements.” – The New Yorker


22. “Arrival” (2016)

Paramount

Critic score: 94%

Audience score: 82%

What critics said: “Amy Adams is a miracle worker-she makes us believe in this mesmerising mindbender about alien communication, directed with searching mind and heart by Denis Villeneuve.” – Rolling Stone


21. “Thor: Ragnarok” (2017)

Marvel

Critic score: 93%

Audience score: 87%

What critics said: “The idea of pairing the oft-dull Thor with a series of oddball companions is an inspired, if necessary, move – so much so that it’s baffling it has taken Marvel this long to smarten up.” – Globe and Mail


20. “The Shape of Water” (2017)

Fox Searchlight Pictures

Critic score: 92%

Audience score: 72%

What critics said: “Del Toro’s willingness to court absurdity and bad taste serves to guarantee his integrity, proving he hasn’t entirely gone respectable.” – The Age (Australia)


19. “Selma” (2015)

Paramount Pictures

Critic score: 99%

Audience score: 86%

What critics said: “‘Selma’ focuses on the one thing we don’t expect in a movie about Martin Luther King Jr. – his doubts – and Oyelowo comes through with a deeply felt and quite brilliant performance.” – Boston Globe


18. “A Quiet Place” (2018)

Paramount Pictures

Critic score: 95%

Audience score: 83%

What critics said: “There are moments when the movie takes us firmly by the hand and escorts us down a darkened path, and they lead to one of the most profound of communal pleasures: the sound of a movie audience screaming as one.” –Slate


17. “Spotlight” (2015)

Open Road Films

Critic score: 97%

Audience score: 93%

What critics said: “It’s not a stretch to suggest that ‘Spotlight’ is the finest newspaper movie of its era, joining ‘Citizen Kane’ and ‘All the President’s Men’ in the pantheon of classics of the genre.” – The Washington Post


16. “The Godfather” (1972)

Paramount Pictures/’The Godfather’

Critic score: 98%

Audience score: 98%

What critics said: “Francis Ford Coppola has made one of the most brutal and moving chronicles of American life ever designed within the limits of popular entertainment.” –The New York Times


15. “La Grande illusion (Grand Illusion)” (1938)

Rialto Pictures

Critic score: 97%

Audience score: 93%

What critics said: “This elegy for the death of the old European aristocracy is one of the true masterpieces of the screen.” – The New Yorker


14. “Roma” (2018)

Netflix

Critic score: 95%

Audience score: 72%

What critics said: “Roma captures, as well as any film I have seen, the spirit of ‘magical realism,’ without ever hinting at the supernatural. Its magic is pure, stunning cinematic technique.” – The Atlantic


13. “Dunkirk” (2017)

Warner Bros.

Critic score: 93%

Audience score: 81%

What critics said: “Masterful visual storytelling on an epic scale.” – NPR


12. “The Farewell” (2019)

A24

Critic score: 98%

Audience score: 87%

What critics said: “You’ll be spewing with tears before the first act is done.” – Times (UK)


11. “Wonder Woman” (2017)

Warner Bros. Pictures

Critic score: 93%

Audience score: 88%

What critics said: “The moviegoing world deserves the best that Hollywood can deliver, and this time we’ve pretty much got it.” – The Wall Street Journal


11. “A Star Is Born” (2018)

Warner Bros

Critic score: 90%

Audience score: 79%

What critics said: “At its huge, pulsating heart this is a story about lovers desperately trying to save one another – from the loss of integrity in an industry that disdains it and from self-destructive impulses with roots too old and deep to be touched.” – London Evening Standard


9. “Moonlight” (2016)

A24

Critic score: 98%

Audience score: 79%

What critics said: “A disarmingly, at times almost unbearably personal film and an urgent social document, a hard look at American reality and a poem written in light, music and vivid human faces.” – The New York Times


8. “Casablanca” (1942)

Warner Bros.

Critic score: 99%

Audience score: 95%

What critics said: “Across seven decades, the Humphrey Bogart-Ingrid Bergman starrer has emerged as Americans’ default favourite movie.” – The Hollywood Reporter


7. “BlacKkKlansman” (2018)

Associated Press

Critic score: 96%

Audience score: 83%

What critics said: “The filmmaker rips from the headlines, but the struggles remain the same.” – Slate


6. “Citizen Kane” (1941)

RKO Pictures

Critic score: 100%

Audience score: 90%

What critics said: “More than a great movie; it is a gathering of all the lessons of the emerging era of sound.” – Chicago Sun-Times


5. “The Irishman” (2019)

Netflix

Critic score: 96%

Audience score: 86%

What critics said: “‘The Irishman’ is long, to be sure, but it’s never less than compelling – Scorsese, De Niro, Pacino and Pesci, all in their mid-to-late-70s, are each carrying a lifetime of work, with practiced ease.” – Seattle Times


4. “Mission: Impossible — Fallout” (2018)

Paramount

Critic score: 97%

Audience score: 87%

What critics said: “It keeps on going and going, following one exciting sequence with another and then another.” –San Francisco Chronicle


4. “Lady Bird” (2017)

A24‘Lady Bird’

Critic score: 99%

Audience score: 79%

What critics said: “A heartfelt coming-of-age story that perfectly captures the bittersweet transition from adolescence to dawning adulthood.” – Village Voice


2. “Avengers: Endgame” (2019)

Marvel Studios

Critic score: 94%

Audience score: 90%

What critics said: “Endgame consists almost entirely of the downtime scenes that were always secretly everyone’s favourite parts of these movies anyway.” – Slate


1. “Black Panther” (2018)

Disney/Marvel Studios

Critic score: 97%

Audience score: 79%

What critics said: “Whether or not this is the best film Marvel Studios has made to date – and it is clearly in the discussion – it is by far the most thought-provoking.” –The Atlantic

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